Themes often portrayed with a playful attitude included the environment, especially fauna and flora. These combinations resulted in an unusually eclectic variety of prints and sculptural forms.

Trudi Dicks was born in 1940 in Graaff-Reinet, South Africa. She moved to Namibia in 1964, where she has been resident ever since. In March 1965 she left for England to embark on a two-year journey of working and travelling, after which she returned to Namibia, married a Namibian and settled in Windhoek.

Her art consists primarily of linocuts, woodcuts and metal etchings. With each exhibition her creative processes have evolved in line with her interests at the time. Trudi developed her own methods of cutting and etching linoleum and carving wood, and producing collographs always aiming for the best results possible.

Factors such as familiarity and trust became her guide. Her first exhibitions featured massive black-and-white linoleum prints, her subject matter trending towards politics and male and female relationships. At a later stage her prints and drawings were supplemented with sculptural clay, wood, plastic, resin and stone forms, as well as needlework, including crochet work and embroidery.

Themes often portrayed with a playful attitude included the environment, especially fauna and flora. These combinations resulted in an unusually eclectic variety of prints and sculptural forms. “The vivid intensity of her art may be linked on one hand to her integrity and commitment to her subject matter and on the other to her intense engagement with the visual realm as she was born with a hearing impairment.“

Trudi’s work is represented in corporate and private collections throughout Namibia, South Africa, America and Europe. She signs her work GSM Dicks which is an abbreviation of her full name of Gertruida, Sophia, Maria Dicks.